The Making of a Miscreant: Between The World and Me…and Me

Recently I decided to take a break from science fiction reading to delve into Ta-Nehisi Coates’ thought provoking book, Between The World and Me. I fully expected to be treated to a unique perspective on the multitude of complex issues that face my hometown. I least expected to be completely confronted with my own past experiences.

If you haven’t read it, and you really should, Coates starts his book with a letter to his son that is powerful, personal, and alarming. He warns his son of the dangers of being a black man in America and the ever present threat to the fragile human body.

Coates weaves poetic truths in the telling of his own personal story including detailed experiences very similar to my own. So many similarities that the lines separating our two lives began to blur as I read on. He speaks to the perilous navigation of Baltimore streets, PG county cops, and social constructs of New York City.

My own story is also rooted in fear. I learned to live in fear early on as a child growing up in the Cherry Hill section of Baltimore, MD. If an arrow lodged in my right shoulder blade, as described in my previous post, The First Time I Almost Died, didn’t teach me about the fragility of the human body, then watching two teenage girls’ hand-to-hand combat tete-a-tete quickly turn to knife wielding and stabbing certainly did. That was the first time that I saw significant amounts of somebody else’s blood. And there were plenty of other occasions to learn that lesson.

One triple H (Hazy, Hot, and Humid) day on the playground of my old elementary school Dickey Hill, I sat on the sideline of the basketball court watching the older high school boys hoop, shirtless and sweaty. Afros flopping with every shot and rebound. I waited patiently for the heat to chase them away so I could have a chance to improve my game. They were so much better than me and I wanted to run and gun with the big boys one day.

It was hot and I thought about giving up my hoop dreams for the apartment complex swimming pool. The game drew close to ending and the familiar cry of “who go next?” rang out. “Who got next”, as in who is next in line to challenge the winning team, almost always invited discrepancies. This day was no different.

The teams generally split between neighborhoods; my Wakefield Apartments vs kids from the notorious Forest Heights. Wakefield put claims on “Next” and Forest Heights disputed. These two neighborhoods, separated by Windsor Mill Rd and the sports fields in Leakin Park, were forever at odds with one another. Constantly disputing over everything with one central question to be answered – who was tougher.

Wakefield’s claims on “Next” did not sit well with two brothers from Forest Heights. The younger of the two staked his claim on the game after having just arrived to the court. Everyone knew that his declaration was without merit and so predictably the “us” vs “them” forces began on a collision course. First came heated words without reason followed by shoving and punches thrown between the younger of the two brothers and my fellow Wakefielder; a Cherry Hill transplant like myself.

The older of the two brothers watched with content as his younger brother sought to handle business. But he loss ground. He was the smaller of the two contenders and didn’t take kindly to his public embarrassment. So he reached into a Crown Royal whiskey bag and withdrew a .22 caliber pistol, aimed, and fired two shots at his scrambling challenger. Most on the playground broke in different directions or hit the ground seeking cover. I froze like a fawn playing a game of “you can’t see me” with a hunter. Heart pounding and ready to wet myself, I realized that the shooter, not more than a few yards away, fired at his challenger who was running in my direction. The shooter then fled on foot back towards Forest Heights.

The stunned crowd began to move and there was again bustling activity. My fellow Wakefielder emerged from behind his parked blue Toyota Corolla to notice two bullet holes in the passenger door. He was pissed. I, too my surprise, had not yet wet my pants, but the day wasn’t over. “Tell your brother when I see him I’m going to fuck him up”, he says to the older sibling whose “Oh, really?” response brought about a collective “oh shit” moment from the rest of us onlookers. He too reached into a bag and withdrew a handgun and began firing at a now moving blue Toyota Corolla. It was at this point that I detected moisture in my underwear.

Later that day I examined the bullet holes in the car. The bullets created two round holes surrounded by dented metal and chipped paint. I imagined what it might have looked like if those lead slugs tore threw my skin and flesh and perhaps hit bone. I was fascinated by the damage and ran my fingers over the holes in the car and then over my own torso.

My youth was full of narrow escapes. Moments when I could have been damaged severely or permanently. At times, like Ta-Nehisi, I lived in fear every time I left my house. Never afraid of one-on-one encounters. I never shied away from a fair fight. Being jumped by multiple people or defending myself against weapons that could tear my flesh is what created angst. During what seemed like a weeks-long period in middle school, I watched as a group of boys chose random victims on the bus and beat them mercilessly and for no apparent reason other than to terrorize. One boy that I hung out with from time to time was victimized. Beaten bloody. Busted lip, bloodied nose, swollen eye with contusions. He was no small boy. He stood tall and wiry with lengthy arms to his advantage. But he was not match for 5 boys hell bent on terror.

Each day that I boarded the bus, I feared that my ticket would get pulled next. That I would find myself scrapping for my life. That I’d arrive at school like Kenny did; ugly and battered. Humiliated as the bus driver and riders stared out of windows as if nothing was happening. I was lucky. My number never came up but the fear remained for a while.

One truism that I learned from the character Walter Lee Younger in Lorraine Hansberry’s A Raisin in the Sun is that the world is made up of takers and those that get took. Even as a boy I knew that there existed in my world those who would plunder. Those who would take your belongings, your money, even your health and dignity. It’s a hell of a thing when you become conscious of your own fragility and vulnerability. Impacts you in ways that you cannot fully comprehend. The funny thing is, we moved from what was at the time a hostile Cherry Hill neighborhood to one that we thought was safer in Wakefield. The fact of the matter is when you are economically vulnerable, there aren’t many safe places to retreat.

Without doubt, these experience have impacted me in profound ways. Contributed to defense mechanisms manifested in hot tempered, guarded behavior. Always ready to push back on those who would take from me, threaten me or my family; a punch first and reason later strategy. Strike with words and fists. But never plunder others.

Yes, Coates book is a stark reminder of a life, my life, of fragility and survival.

 

The Making Of A Miscreant: What’s In A Name?

ManUp has gone all audioish on you. Feel free to read the text version below or enjoy the audio version of this edition of The Making of a Miscreant by hitting the play button.

My name is Joseph Bradley Lee. My friends and family call me Joey. Professional associates call me Joe. There was a time in 1972 that I hated the name Joseph. I wasn’t particularly bothered by Joseph because most people called me Joey. It was a different story, though, when school was in session.

In 1972 I was a second grader at Carter G. Woodson elementary school in the Cherry Hill section of Baltimore, MD. Cherry Hill was a mostly African-American community. In fact, if there were any non-black students at Carter G. Woodson, I never saw them. Cherry Hill was a tough neighborhood; a nurturing neighborhood; and to a degree an isolated neighborhood. And unlike any other place I have ever lived, the black folk in Cherry Hill frequently butchered the name Joseph.

“Mrs Richardson, Jozup cut in line”! “Mrs Richardson, Jozup pushed me”! Mrs Richardson, Jozup is chewing gum”! Jozup, Jozup, Jozup! The “seph” in Joseph seemed to allude the students at Carter G. Woodson. Occasionally, a teacher or two would duplicate the error in pronunciation. It was nonsensical to me. Joseph wasn’t a difficult name at all, yet no one managed to get it right.

I was so fed up with Jozup, that on one particular spring day after school I literally kicked a can up and down the street as I contemplated a name change. I sat curb side on Seabury Rd trying to figure out how to break the news to Mama Lee. I poked at a line of marching ants on their way to investigate a crumb of potato chip. A clear indication of transference of energy; my bad energy to the ants and the ants in search of something to attack.

After a few moments of pissing off the ants, a fellow classmate joined me curbside. His name was Philip. Philip wanted to talk about how Mrs Richardson swatted Byron Barnes with a yard stick because he was talking in class. Yes, the teachers, and I use that term loosely, were allowed to inflict physical punishment on us students at Carter G. Woodson elementary school. Byron was a nice kid, but trouble always seemed to find him. He also had a mouth full of the tiniest, blackest teeth you ever did see. We chuckled about that too.

After a while, Philip headed home and so did I. I was determined to have a chat with Mama Lee about the name situation so, once home, I helped myself to a bowl of cereal and turned the TV on to Leave It To Beaver and awaited mama’s arrival from work.

Would-be Philip
Would-be Philip

“I don’t like my name,” I got around to blurting out. Mama Lee wanted to know why. “I don’t like the way people say Jozup,” my reply. “Well tell them to call you Joey,” Mama Lee said with a “boy get out of my face with that silly shit” look. “I tried but they don’t listen,” my frustrated response. Then came the litany of predictable justifications, “It’s a biblical name”, “it’s your father’s name”, “it’s a strong name.” Her mouth moved plenty, but all that came out of it was Jozup, Jozup, Jozup. Then came a question that I surprisingly hadn’t anticipated, “What name do you want then?” she asked. Up to that point, I gave no consideration to a replacement moniker. So I uttered…Philip. Mama’s face was twisted and her response…incredulous. “Philip! Why Philip?” I had no response and, in fact, felt like a silly child. I soon dropped my short-lived campaign for a name change. School would soon be out for summer recess and I’d return to be Joey.

The name game followed me for a good portion of my life. Teachers called me Joseph. Friends called me Joey. And in between…a variety of nicknames.

In Cherry Hill, I was White Hiney. “Hey White Hiney,” they’d yell. Evidence that we were the lightest skinned kids in the hood.

As a teenager, Mama Lee called me Poo Bear. In front of my friends no less.

Lucan ran from 1977-78
Lucan ran from 1977-78

When we moved from Cherry Hill to the Wakefield area on Baltimore’s west side, variations on a wolf theme emerged. Wolfboy, Wolfie, and Wolfpire became a new attempt at adolescent cruelty. Inspired by a short-lived TV show called Lucan which ran from 1977-1978, a few neighborhood kids called me Wolfboy because of my long hair. Lucan chronicled the life of a young man who, as a boy, was raised by a pack of wolves. I was the neighborhood Lucan.

The two moles on my neck that mimicked a vampire’s bite suggested to them that I was part wolf and part vampire, hence the Wolfpire reference. This didn’t bother me. Secretly, I loved the Lucan TV show and often fantasized about being raised by wolves.

During the same period, yet another nickname surfaced. It was Ugly. No, literally the nickname was Ugly. It was given to me by my adopted godfather, Johnny Miles. Johnny Miles was a shit-talking hipster from Marion South Carolina that took a shine to my adopted godmother, Mignon Ackerman. They would later marry and become influential figures (good and bad) in my life.

“Hey Ugly, come here,” he’d say with his raspy voice. Johnny was a big guy. Over six-foot tall and thick of body. Peeled right out of a Zora Neale Hurston novel, Johnny was as country as they came. Johnny was loud. You’d never not know he was in a room; and to watch a Washington Redskins game with him was intolerable.

“Let me holla at you Ugly,” he’d bellow. “Stop calling that boy Ugly, Johnny!” Mignon jumped to my defense. “What do you want me to call him? Cutie?” I was not a kid with a confidence deficiency. I knew I was attractive and I didn’t need the likes of Johnny Miles to validate it. Johnny adored me, as did Mignon. In many ways, I was as much their child as I was Frances Lee’s. After two weeks of protesting the name, Mignon finally fell in line with her beaux and she too called me Ugly. It was and is, to this day, my favorite nickname.

It doesn’t matter what people call you as long as you know who you are. I’m a Joey. Joey defines me. More so than Joe. And more so than Joseph. Joe is my professional moniker. It started with my first broadcast assignment. I’m Joe all day long. I now live in a town where I am only known as Joe. So when I hear my wife Angela’s beautiful voice call ‘Joey”, I’m transported home, to Baltimore, to my roots. It’s sweet and peaceful and loving, her voice. It provides a sense of place and reconnects me to me, Joe to Joey.

Do you have a favorite nickname to share? Perhaps one that you hated? Let me know in the comments section.

The First Time I Almost Died: An Excerpt From the Memoir – The Making of a Miscreant

Searbury Rd in Cherry Hill, Baltimore, MD
Seabury Rd in Cherry Hill, Baltimore, MD

I don’t know if I woke up that morning with a plan or, like many boys, decided to turn found junk into opportunity.  Or perhaps it was another kid’s idea.  But the plan on a hot, sunny, summer’s day in the early 1970’s was to catch some frogs.  Nothing at all unique about this endeavor for rural preteen boys, but for urban youth, it required a measure of planning and adventure.

2438 Seabury Rd in the Cherry Hill section of Baltimore, MD was home.  It was my home.  I lived in Section 8 housing but I didn’t know it at the time.  A single mom and two boys living in an apartment on the right-hand side of the court, eventually moved to a townhouse over on the left.  That court was our world and we did not often venture far beyond its borders except to cross the street to the elementary school playground and basketball court, or to the nearest corner store to buy penny candy.  We all new each other.  It was the kind of place, and a place in time, when the neighbors were empowered to discipline you.  And the maintenance workers might toss a football around with you in between tasks.

On this day, though, we were going to catch us some frogs.  But where?  First things first.  We needed a vessel for the frogs.  My friend Keith, a brown, lanky kid with a small afro, and my brother’s friend, Tony who was a year or two older, joined me as I rummaged through neighbors hot garbage cans for frog storing containers.  We emerged with plastic jugs and milk cartons that we, with ghetto ingenuity, transformed by cutting the tops off and creating handles using pieces of twine.

Now, where?  Beyond the borders of the court and the elementary school, sat the Patapsco River which fed into Baltimore’s harbor.  Good for catching crabs, not so much for frogs.  Our attentions turned west to the train tracks.

Carter G Woodson Elementary School
Carter G Woodson Elementary School

Someone told someone who, in turn, told Keith that creeks and streams ran parallel to the tracks so we surmised that frogs must exist in the general vicinity.  In tank-top, cut off shorts, Jack Purcells and pals in tow, I headed west for a couple of miles in search of amphibians.  Along the way, Keith tells tales of strings of fireworks that dangle from passing trains.  He tells us, “If we can hop the train without getting caught, we can snatch some firecrackers to take back home.”  Even as an 8-year-old, that hardly seemed plausible.  But what the hell, I was up for anything.

The tracks were rusty looking and raised above grade.  They were surrounded with crushed stone on each side.  To our delight, a stream ran along side a portion of the tracks, among a thin line of trees. Even at 8 years old, I had experience catching frogs.  My grandparents bought a parcel of land in Carol County and I spent many a summer’s day catching frogs, snakes and turtles.  So I lead the way.  We filled our containers with water from the stream and set them on leveled ground.

Aerial view of the tracks outside of Cherry Hill
Aerial view of the tracks outside of Cherry Hill

Wading ankle-deep, hands held 6 inches or so apart, we moved slowly so as not to disturb the wildlife.  Frogs sat along the bank of the stream, unsuspecting, warming their cold blood.  Keith, too anxious, misses his first.  He mutters a choice profanity or two.  I snag my first.  Then a second.  The others join in with better success having watched a pro in action.

In the distance, we hear the clacking of train wheels on tracks drawing neigh.  “Firecrackers”! Keith yells.  The frogs that we managed to catch were put into the 3 containers and sat closer to the tracks.  We waited patiently and grew excited as the train came into view.  Keith told us to run along side the train and grab any rail  or handle to pull ourselves up.  I think Keith lied about the fireworks.  I saw none.  Still, hopping a moving train seemed fun and so we moved, like experienced hobos, to make our way on-board.

The train appeared to move slow on approach but seemed to gain steam as it was upon us.  Clacking with rhythm.  Clacking with purpose.  And so were we.  Moving alongside the train as fast as our little preteen legs could carry us. We three intrepid boys searched for something to grab onto.  I trailed the other two and began to run out of steam.  Keith and Tony kept trying in earnest.  Laughing and running along side the cars, looking for something, anything to grab a hold of.  Hands on knees, huffing and puffing, we three boys watched the train move on down the line.  Victorious.

An overwhelming sense of relief washed over me.  I was scared and afraid to admit it.  Not afraid of getting on the train, but getting off of the train.  Jumping off of a moving train was not something I even remotely wanted to attempt.

We made the long trek back to the frogs, failures as hobos.  What seemed like miles of track was most likely a few hundred yards.  Back at the site, the frogs were gone, containers smashed.  Shocked and perplexed, we three boys stood there silent, speechless, and dumbfounded.  Who would do such a thing? Who would ruin the perfect afternoon?  It was such flapdoodle that we struggled to comprehend what might have transpired during the short time that we chased the train.  One frog remained in my plastic milk container, smashed and bloodied.  A sad and truculent act.

I watched Keith’s eyes as he spied a figure emerging from the tree line.  A boy, much older than the three of us, carrying a hunter’s bow with bladed arrow.  This older boy told us that he was looking for some “white dudes” that assaulted his father.  I couldn’t help but wonder if this would-be hunter of white dudes was not himself the capricious, frog-murdering bastard that ruined my afternoon.  But Tony and Keith were enchanted by the bow and arrow and did not share my suspicion.  They had never seen and hunter’s bow and arrow up close.  Neither had I for that matter.

“How far can that thing go?”, Keith chimed.  “Really far”, answered the stranger.  Now he had my interest and attention. “Let me see”, I added.  “Shoot it up”, I pointed to the sky.  The stranger, bow in left hand, motioned with his right, gesticulating that we give some clearance.  He pointed the bow upward, pulled the string back to his ear, and loosed the arrow.  It flew straight up, climbing until it was out of sight.  We three boys stood, planted in the gravel, mouths wide open and eyes bulging out of our heads.  The stranger’s faced  turned from a look of accomplishment to having a real “oh shit” moment.  “Run!”, the stranger yelled.

Without knowing the intricacies and particulars of the laws of gravity, even we three boys knew that what goes up, must come down.  We scrambled.  Nervous laughter echoed and gravel flew as we made our way to the tree line.  My foot slipped and I landed on one knee.  With a thud, the arrow landed in my back.  Lodged into my right scapula.

I don’t know what was worse, the pain or the shock of being shot.  Given all the wide open space, what were the odds that a single arrow shot into the air would find its way through my flesh and into bone?  I fell face down in the gravel, arrow shaft sticking out of my back.  Cowboys and Indians for real. The stranger panicked.  He grabbed hold of the arrow with one hand and placed the other hand on my left shoulder.  He yanked.  He shouldn’t have done that.  Every western movie you have ever seen said don’t yank the arrow.  But he yanked.  And he ran.  I stood.  And I bled.

Gash in the back and bleeding profusely I, with my friends, started the long trek back to Seabury Rd.  The energy drained from me with every step.  The sun grew hotter and my tank top began to stick to my skin as the blood coagulated.  The boys were concerned but none of us had any idea how serious the situation had become.

 

 

 

 

Throw Back Thursday: Lost Art of the Album Cover

I thought I would take a more expressive approach to the #TBT trend in lieu of posting old photos of myself.  So every so often I’ll post a nostalgic piece and invite you to travel with me down memory lane.

I fell in love just staring at the album
I fell in love just staring at the album

Men of a certain age have witnessed some very cool technological advancements. The personal computer, e-mail, mobile phones and smart phones, blu-ray, wireless, mobile tablets and the internet are all things that I vividly remember being awed by. It was that way too with the advent of the CD. I remember my first CD player – a five disc carousel Panasonic. And my first few CDs.  But as much as we advanced our culture with the adoption of new, disruptive technologies, I can’t help feel that, in many cases, we lost something with each step forward.  In the case of the CD (and eventually the digital download), it was the vinyl album cover. The CD insert, much like watching a block-buster movie on an iPad, could not evoke the same emotional response that I had to the album cover art.

As a young lad growing up in Baltimore, MD, I’d spend many of my weekends staying at my uncles apartments. Both were typical bachelors and had typical bachelor pads for the time. Big fluffy pillows strewn about the floor. Aromatic incense burning in holders. A few Playboy mags spread out on the floor. Strings of beads dangling from doorways. A hi-fi stereo system with turntable on a shelf against the wall. And stacks of vinyl around the system.

I loved staying with my uncles because I was guaranteed a cheese steak sub or pizza for dinner and I had full access to their music.  The Playboy mags too. But it was the music that captured my attention. I would spend hours listening to their albums and staring at the album art. I was fascinated with much of the creative strategy utilized to sell music. Obvious depictions of the artists themselves, sexy women in sultry, proactive poses, and obscure, eccentric, and elegant art all caught my attention.  I fell in love with Minnie Riperton with ice cream dripping down her fingers, overalls with nothing under and that angelic voice. Killer combination.

Marvin Gaye's album featuring the art of Ernie Barnes
Marvin Gaye’s album featuring the art of Ernie Barnes

Who wasn’t drawn into this classic Marvin Gaye cover featuring the art of iconic painter Ernie Barnes? The elegant, elongated figures perfectly captured black folk in the mood and in the groove. Eyes closed and feeling the moment. I could never get enough of this cover. I studied every inch, every character, every outfit, the scene, the signs…everything. This “Sugar Shack” painting was my introduction to the genius of former Baltimore Colts player Ernie Barnes whose art work was used to represent the art of J.J. Evans on the show “Good Times”.

Earth Wind & Fire and Egyptology
Earth Wind & Fire and Egyptology

This classic Earth Wind & Fire album cover encouraged my interest in the futuristic, space, and Egyptology. Again, I would closely examine the detail in the art work and would day dream about the future. It was a tremendously powerful subliminal message that invoked interest in both cosmology and spirituality. Yeah, I was a deep ass kid. The band used Egyptian symbolism and mysticism on several album covers and it was also evident in their music.

Ohio Players used sex to sell
Ohio Players used sex to sell

Was their ever a band that could better capture the attention of pubescent adolescent boys more than the Ohio Players? If so, you’ll have to school me. Most of their covers objectified women, effectively so, by depicting them covered in honey or chocolate, partially nude in fire-fighters uniforms, engaged in sultry poses, or tessellating  with partially nude men. One thing is for sure, the boys from Dayton, OH had sex on the brain and they certainly had my attention.

Did anyone ever listen to Bitches Brew or was it all about the cover art?
Did anyone ever listen to Bitches Brew or was it all about the cover art?

This visual journey created by surrealist painter Mati Klarwein is the reason why Miles Davis’ Bitches Brew is on every “Top Album Cover” list. The music represents Miles’ foray into the experimental, esoteric jazz movement. I can tell you with all honesty that I spent far more time with the album art than I did listening to the music. That would come to me many years later. But this art work was very difficult to turn away from. A hard one to put down. The longer you held it, the more drawn in you became.

The bizarre foolishness of Parliament Funkadelic
The bizarre foolishness of Parliament Funkadelic

Lastly, I was always attracted to the bizarre foolishness of Parliament. I could not understand why grown men dressed up in such weird costumes, but I absolutely loved it. It certainly spoke to the band’s obscure, trend setting funk sound and made for good visual entertainment.

People often speak about the tactile feel of holding a book and flipping through its pages rather than using an e-reader. It’s the thing I miss most about vinyl. Holding the album cover, reading the liner notes all while listening to the music is the piece of our culture now lost to digital downloads. It was the art of the music combined with the visual art that gave birth to my love of music. I haven’t read the digital booklet that comes with digital files in years. Hell, is it even still an option? Is it even a part of the creative process today?  Do recording artists care what art is associated with their music?

We give to gain. It’s often a necessary sacrifice in the name of advancement. But somethings are harder to accept than others.  And while digital files take up zero environmental space and offer enhanced sound quality, you can’t de-seed your weed on an i-Pod the way you could on a folding album cover. Am I right?

I’d love to hear about some of your favorite album art. Do you have a favorite?  Do you miss having the visual with the audio.

Until next post….

Ghetto Toys and Other Signs That You Grew Up in 70’s Urban America

 

I'm the shorty in the headband
I’m the shorty in the headband

I use the word “ghetto” loosely.  Growing up in Section 8 housing in Cherry Hill, a neighborhood in Baltimore, MD, was vastly different in the 1970’s than it is today. While times were hard, it was still a relatively safe place to rip and run the streets without fear of fatality. Standard summer gear included a tank top, pants cut into shorts because there was no way you’d still be able to fit them again by fall, and generic “fish head” sneakers with tube socks.

We didn’t have much at all.  Nothing except space, opportunity and ingenuity. I will never become that old man that bores his children to death with tales of how things were far more tougher for me as a kid than it is for them today. But it was.

My mother had little money to speak of and whatever toys we received for Christmas had to last until next Christmas. But when you have outdoors, you don’t need much else. At least not for us street urchins. Being confined to the house because of rain or grounding was a prison sentence. After all, there was absolutely nothing on television and the neighborhood was magnetic.

Necessity forced us to be creative. After so many games of Hide and Seek, Hot Buttered Beans, Tag and others, you had to get down right inventive if you wanted a toy.

We learned to make our own sling shots by taking wire hangers from the closet and shaping them with pliers. We fashioned the sling out of rubber bands and bicycle tire tube. This is how it was done on the African savannah right?

Sling Shot

And of course we shot stones.  At everything.

 

Skates

 

Wanted a skateboard? No problem. We augmented those old steel roller skates (don’t act like I was the only one who owned a pair) by separating the front and back of the skate and nailing each end on to a piece of two by four or plywood. Why? Because the mate of the skate was long lost and we looked quite silly pushing ourselves on one skate in cut-off shorts and a dirty tank top. (Side note: you can find a picture of anything on the internet)

NunchuckOur inspiration derived from many sources.  Including Bruce Lee movies.  Who didn’t want a pair of nunchucks after watching a martial art film? My apologies to all the people in Cherry Hill who discovered their mops were missing from the back stoop.  With an old rusty saw blade, a bit of dog chain, and hammer and nails, we had the necessary materials needed to give each other concussions. We walked the dog with a rope around her neck so we didn’t quite need the dog chain anyway.

Necessity, the mother of invention, served us well.  She taught us that a two by four, rubber bands, a clothes pin, and pull tabs from soda cans would yield a serviceable projectile. I was so accurate with it that I hit an MTA bus driver in the leg from 50 paces just before he closed the bus door!

There are times when I am quite envious of my children. They have an overabundance of cool technology, smart phones, internet, and on-demand entertainment. But more often than not I lament for the life that they’ve been deprived of.  Not knowing what it’s like to race popsicle sticks in the gutter after a downpour.  Throwing eggs at the bus as it drove through the neighborhood. Playing golf with a stick, a soda bottle and a tennis ball.  I wouldn’t change my childhood for anything in the world.

There are times today that I have to call on that little boy to remind me that there is a creative spirit within that fuels the evolutionary process. That there is always a solution to a problem.  I remind myself that humble beginnings define the man that I am today.

This spring, after a big rain, I’m going to take my daughter to race popsicle sticks in the gutter.